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(Two decades later, I’d read What is the What by Dave Eggers, explore the website of the book’s subject, Valentino Achak Deng, and be so completely shocked by the greenery and colour in photos of his home village in Sudan. This could perhaps be the beginning of my impression that Africa was a colourless place. The African children were in black and white, while the rest of the album was rich and red. I don’t know if the photos showed the children’s distended bellies or flies landing on their skin, but I’d seen enough television coverage to know all about it. This was juxtaposed with a photo of two African children with spindly limbs. On one side, ornate Victorian Christmas imagery, the kind that illustrates “The Night Before Christmas” or a Christmas card. I was far too upset about the leg-warmers.Įvery Christmas for the next few years, I would spend a huge amount of time studying the album art for Band Aid’s “Do They Know It’s Christmas”.
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But I have no recollection of my immediate impressions of the song itself. I knew about the famine in Ethiopia, about what the singers were singing about. I thought them both impossibly cool, and decided the album was worth knowing about for their interest in it. Being ten or eleven, he was hip to the ways of the world and its zeitgeist, just like my young aunt was. I remember that when the Band Aid album was unwrapped, my older cousin (who would have been ten or eleven) was excited, and put it on the record player straight away.
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I don’t remember what I got, but it was not the Cabbage Patch leg-warmers, and this was profoundly upsetting. From that same aunt, my sister and my cousin received leg-warmers for their Cabbage Patch Dolls. In 1984, we got the Band Aid album for Christmas, a gift from my mother’s younger sister, my aunt. DecemDo They Know It’s Christmas: A Personal History